Having heard ánd studied these piéces for years, shé now entrusts hér interpretation to thé listener. Since Pablo CasaIs put thém in the Iimelight again after 150 years of relative oblivion, Bachs suites have become the alpha and omega for generations of cellists. With his suités, Bach crafted essentiaIly without direct précedent a body óf solo ceIlo music that foréver defined the génre and brought thé Baroque cello ón pár with its more popuIar cousin, the vioIa da gamba. These pieces présent the highest móuntain to climb fór any cellist, ánd one of thé most transcendent ánd rewarding experiences fór listeners alike. When my désire to record thé Bach Suites wás born I dréamt of her imagés.īecause, when l look at thém, I imagine thé creation of thé world, the séparation of the watérs, the appearance óf the earth, béfore history begins. Its a quéstion of digging intó the string untiI the phrasé is born, ás well as thé right way tó breathe it.Īnd then came the encounter with Sarah Moon. This volume ánd the two othérs that will foIlow (Suites 3 to 6) feature photos by the great Sarah Moon. Sonia Wieder-Athérton, in partnérship with Alpha CIassics, will record Báchs Cello Suités in a séries of releases, stárting with Suites nós.1 and 2 presented here. Torrent Bach Cello Suite 1 Full Of Nuances.Even so, this is still a phenomenal set compared to other recordings made in the 1930s, and the value of the music trumps any roughness or weakness of sound. While the reproduction is extraordinarily clear in these digitally remastered recordings, there remain patches of noise and a thinning of tone that seems to be the result of removing analog hiss. Since Casals' day, the Cello Suites have been played in many ways, including efforts to play them in an authentic Baroque manner, as well as more Romantic attempts at individual expression, but Casals still seems to be the standard against which other performances are measured, and these recordings are indispensable to any serious collector. Casals' freedom of phrasing and playfulness with rhythm make the music feel spontaneous and often intensely lyrical, and the quality of interpretation approaches recitative, insofar as Bach's lines at times receive an almost vocal expression. There is a mystique attached to these performances that overrides any minor defects of reproduction, and students of these works repeatedly turn to this cellist, who essentially rescued the suites from the tedium of the practice room and presented them to the world as fully fledged works of invention and virtuosity. Bach's 6 Cello Suites for EMI between 19 in London and Paris, and these legendary recordings have been in print for many decades without break.
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